This crime-comedy centers on Arthur Ferguson Jones, a meek and mild-mannered office clerk who is the exact double of notorious gangster Killer Mannion. When Jones is mistakenly arrested as the criminal, his life turns upside down. The police decide to use him as bait to catch Mannion, but the gangster turns the situation to his advantage, leading to a series of comedic and suspenseful events.
Genre: Comedy, Crime
Director: John Ford
John Ford (1894–1973) was one of America’s most celebrated filmmakers, renowned for his mastery of visual storytelling and his ability to capture the American spirit. Over a career spanning more than 50 years, Ford directed over 140 films, including classics like Stagecoach (1939), The Grapes of Wrath (1940), and The Searchers (1956). Known for his artistry in framing, use of natural landscapes, and strong characterizations, Ford won four Academy Awards for Best Director, a record that still stands.
Star Cast:
- Edward G. Robinson as Arthur Ferguson Jones / Killer Mannion
- Jean Arthur as Wilhelmina Clark
- Arthur Hohl as Detective Sergeant Boyle
- Wallace Ford as Healy
- Edward Brophy as Detective Sergeant Mike Hanlon
- Donald Meek as Hoyt
- Paul Harvey as Seaver
The film was well-received for its clever script, brisk pacing, and the novelty of Edward G. Robinson playing both a timid clerk and a ruthless gangster. Audiences enjoyed the mix of humor and tension, and critics praised Robinson’s ability to distinguish the two roles so effectively. Jean Arthur’s charm and comedic timing also drew positive attention.
Fun Facts:
- The screenplay was based on the story Jail Breaker by W. R. Burnett, who also wrote Little Caesar.
- Edward G. Robinson’s dual performance was achieved using innovative split-screen and double-exposure techniques for the time.
- This was one of the rare John Ford films to lean heavily into contemporary comedy rather than his usual historical or Western subjects.
- Jean Arthur’s role helped establish her as one of Hollywood’s top comedic leading ladies.
- The film’s success demonstrated Ford’s versatility beyond the genres he was most associated with.
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