The Duke Is Tops (1938) | Directed by William Nolte

The Duke Is Tops is an all-Black-cast musical drama that tells the story of Duke Davis, a talented but struggling stage producer who helps launch the career of a rising singer, Ethel Andrews. When Ethel finds fame and leaves for bigger opportunities, Duke sacrifices his own career for her success. Later, fate reunites them in a triumphant finale that celebrates loyalty, love, and the power of show business. The film is a lively showcase of African-American music, dance, and performance during the Harlem Renaissance era.

Genre: Musical, Drama, Romance

Director: William Nolte

William Nolte was an American director active in the 1930s and 1940s, primarily known for his work on low-budget productions made for independent studios. Though his career was brief and not widely documented, Nolte contributed to several race films—motion pictures made by Black filmmakers and actors for African-American audiences during segregation. The Duke Is Tops stands as his best-known work due to its historical significance and the breakout performance it gave to Lena Horne.

Star Cast:

  • Ralph Cooper as Duke Davis
  • Lena Horne as Ethel Andrews
  • Laurence Criner as Doc Dorando
  • Monte Hawley as Mr. Marshall
  • Edward Thompson as Doc
  • Harley Woods as Tommy
  • George Wiltshire as Sam
  • Nina Mae McKinney (uncredited cameo in some prints)

When released, The Duke Is Tops was well received in African-American theatres and communities, appreciated for its strong musical performances and all-Black cast at a time when Hollywood offered few such roles. The film gained particular attention for introducing audiences to a young Lena Horne, whose poise and voice made a lasting impression. Though production values were modest, audiences celebrated its energy, humor, and optimism. In later years, it became a historically important example of “race cinema,” showing the vibrancy of Black entertainment in pre-war America.

Fun Facts:

  • The film marked the first screen appearance of Lena Horne, who later became one of Hollywood’s first major African-American stars.
  • When reissued in 1943 after Horne achieved fame, the film was retitled The Bronze Venus to capitalize on her success.
  • Ralph Cooper, who wrote and co-produced the film, was also the founder and emcee of the legendary Amateur Night at the Apollo Theater in Harlem.
  • The movie featured original songs and musical numbers by leading African-American artists of the time.
  • It was produced by Million Dollar Productions, a pioneering company specializing in films for Black audiences.
  • Despite its low budget, the film’s story of ambition, romance, and redemption helped pave the way for greater visibility of Black performers in American cinema.
  • Surviving prints of the film have since entered the public domain and are frequently shown in retrospectives of early African-American cinema.

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