New Arrivals

“Topper Returns,” a delightful blend of comedy and mystery directed by Roy Del Ruth, takes audiences on a supernatural adventure with a generous dose of humor. Released in 1941, this installment in the “Topper” film series stars Joan Blondell, Roland Young, and Carole Landis. When a murder occurs at the residence of the affable Cosmo Topper (Roland Young), the ghostly antics ensue as the deceased maiden, Gail Richards (Joan Blondell), takes it upon herself to solve the crime. Filled with witty banter, slapstick humor, and unexpected twists, “Topper Returns” stands as a shining example of classic Hollywood comedy. Joan Blondell as Gail Richards: The spirited and witty ghost on a mission to uncover the truth behind her murder. Roland Young

My Man Godfrey is a screwball comedy set during the Great Depression. The story begins when a wealthy but scatterbrained socialite, Irene Bullock, discovers a “forgotten man” living in a New York City dump and hires him as the family butler. Godfrey, the mysterious new servant, quickly finds himself navigating the absurdities of the eccentric Bullock household while concealing his own surprising background. The film blends biting social satire with romance, as Irene falls for Godfrey and he teaches her family lessons in humility, responsibility, and compassion. Genre: Screwball comedy Director: Gregory La Cava Gregory La Cava (1892–1952) was an American film director known for his sharp wit and ability to balance humor with social commentary. Beginning his career as

“Parole, Inc.” (1948) is a crime film directed by Alfred Zeisler and features Michael O’Shea, Turhan Bey, and Evelyn Ankers in prominent roles. The film is a gritty and suspenseful exploration of the parole system and its potential for corruption. Directed by Alfred Zeisler, “Parole, Inc.” follows the story of an investigator named Dan Barton, played by Michael O’Shea, who is tasked with looking into a series of parole violations that seem to be connected to a larger criminal organization. The film delves into the dark and complex world of parole manipulation and crime. The film is notable for its noir-inspired cinematography and a plot that combines elements of crime, drama, and social commentary. It explores the challenges faced by

Elephant Boy is an adventure drama inspired by Rudyard Kipling’s story “Toomai of the Elephants.” Set in colonial India, it tells the story of young Toomai, a boy who dreams of becoming a great elephant driver like his father. His courage and bond with his elephant, Kala Nag, lead him on a remarkable journey into the jungle, where he witnesses the legendary elephant dance, earning respect and recognition from the adults around him. The film combines dramatic storytelling with documentary-style sequences, giving it a unique atmosphere.Genre: Adventure Drama Director: Robert J. Flaherty and Zoltan Korda Robert J. Flaherty (1884–1951) was a pioneering American filmmaker known as the father of documentary cinema, best remembered for films such as Nanook of the

“Brewster’s Millions,” a classic comedy released in 1945 and directed by Allan Dwan, is a whimsical tale of a man faced with the extraordinary challenge of spending a massive fortune within a short period. Starring the legendary comedian Dennis O’Keefe, the film revolves around Monty Brewster, who stands to inherit an even greater fortune if he can manage to exhaust a million-dollar inheritance in just a few weeks. The catch? He must spend it all without acquiring any assets or revealing the true purpose to others. Dennis O’Keefe as Montague “Monty” Brewster: The affable protagonist facing the challenge of a lifetime. Helen Walker as Peggy Gray: Monty’s love interest caught up in the whirlwind of his extravagant spending. June Havoc

“Second Chorus” (1940) is a musical comedy film directed by H.C. Potter and stars Fred Astaire, Paulette Goddard, and Artie Shaw. The film combines elements of romance, comedy, and music in a story centered around two musicians vying for the affections of a woman while also attempting to form their own swing band. Fred Astaire, renowned for his dancing and charm, leads the cast as Danny O’Neill, a trumpeter with dreams of leading his own band. Paulette Goddard plays Ellen Miller, the woman caught in the romantic entanglements, and Artie Shaw appears as himself, contributing his musical talents to the film. Director H.C. Potter infuses “Second Chorus” with a lively and entertaining spirit, utilizing the musical talents of Astaire and